The in-the-round staging amplifies the show’s ‘support group’ feel, with monologue and audience interaction blending seamlessly. Henry weaves each audience contribution into the story with ease, creating moments of unexpected intimacy. What could feel awkward instead becomes connective—gentle, communal, and quietly powerful.
In a nutshell, this is an uplifting play about depression. Paradoxical, yes—but intentionally so. The show’s power lies in its lightness. It avoids sensationalism. Instead, it echoes what suicide prevention experts stress: hope helps. As critic Lyn Gardner wrote, “I am confident that it has saved lives, and you can’t say that about many plays.” Maybe that’s because, as playwright Duncan Macmillan has said, “I didn’t see anyone discussing suicidal depression in a useful or interesting or accurate way… The gesture behind the show is to find the way to talk about the most serious things you can talk about in a way that isn’t serious.”
And maybe, by the end, you’ll go home and start your own list.
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Rollercoasters
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Falling in love
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The colour yellow
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Writing a review of a play that makes you appreciate the little things in life
Every Brilliant Thing plays at @sohoplace until Sat 8th November 2025. Book your tickets today.